Living Up to Its Name, X-Men: First Class Delivers

Summer 2011 is one filled with heavily anticipated super-hero movies – Thor, X-Men: First Class, Captain America and Green Lantern. Just like the last few “comic book” summers, this one has plenty of hype and scrutiny headed its way, perhaps even a little more than before. You could say that 2011 is the first summer of the second decade of the comic book movie era, an era that began with X-Men way back in 2000. In its wake we've received a pantheon of comic book movies – both good and bad – that have seen the successes and failures of the genre discussed, debated and dissected ad nauseum, with many comic and film fans growing weary of what they see as sub-standard realizations of comics, especially super-heroes on screen. So with X-Men: First Class going back to the beginning (both literally and figuratively), how does it play? Well, let me give you my take.

I've never been a big reader of the X-Men comics, but I've more or less enjoyed the films to date, although X3 didn't do much of anything for me. X-Men was OK, especially considering it was the first of its kind (I do personally find it a bit boring), but X2: X-Men United was great! My initial reaction to First Class is that I enjoyed it more than X-Men and certainly X3, but maybe not quite as much as X2. And who know, maybe my impression will change with time.

First Class is a prequel and takes us back to the beginning of the mutant story which is in the 1960s (or 1940's if we're being very precise). This movie feels like it's own story in almost every way which I really appreciated. I never felt like the creators were going out of their way to setup something specifically for the movies that already exist, so it was free to be its own story. That said, I also never felt like this story created any conflict with the existing installments either, so kudos to director Matthew Vaughn and the writers.

The stage for the story is the Cuban Missile Crisis, wherein the United States and Soviet Union stood on the brink of all-out nuclear war. According to this story, history was not all it seemed. A powerful mutant named Sebastian Shaw (Kevin Bacon) was actually manipulating the situation with the help of his beautiful femme fatale Emma Frost (January Jones) and associated mutants known collectively as the Hellfire Club. Shaw wants nuclear exchange because his mutation allows him to absorb kinetic energy and thus grow more powerful. You guessed it – Shaw wants to rule the world.

The CIA is onto to Shaw and his gang (somewhat) but they don't fully understand what is going on until agent Moira MacTaggert (Rose Byrne) observes the mutants using their powers while spying on them. Feeling they have no choice but to fight fire with fire, the CIA seeks out a mutant expert. Enter newly-titled "professor" Charles Xavier (a powerful telepath) (James McAvoy) and his longtime childhood friend Raven Darkholme (a shapeshifter) (Jennifer Lawrence) who join with the CIA to locate mutants and help stop the Hellfire Club.

In the meantime, Erik Lensherr (Michael Fassbender) is on a personal mission of vengeance against Shaw because it turns out that Shaw was helping the Nazis at the concentration camp Erik and his family were imprisoned at during the Holocaust. Erik uses his power (magnetism) to aid him in his quest. Both hot on Shaw's tail, Erik and Charles run into each other and Charles convinces Erik to join them. The problem is that Charles and Erik have very different views on mutants – Charles wants peaceful co-existence with humans and Erik wants humans to take their place beneath mutants, aka homo-superior.

Long story short, the two do become friends and work together to locate and train mutants but ultimately take different paths during the final confrontation with Shaw, thus setting the stage for all X-Men stories to follow, including the movies we already know. Again, I appreciated that First Class never felt tied-down by the existing movies and yet didn't conflict with them either.

As an origin story I thought the story worked quite well. The audience gets the origins of Professor X and Magneto in entertaining fashion and those of the greater collection of X-Men without all the “teenaged angst” as other reviews have pointed out. The characters weren't whiny and self-loathing as the younger mutants seemed to be in the other films, but rather more conflicted as to what their place in the world was, especially Raven/Mystique and Hank/Beast (Nicholas Hoult) who are on a journey of self-acceptance, more-so than Charles and Erik because their mutations are visible to the naked eye.

The movie also presented a good balance between action, drama and humor, preventing it from being just a slap-stick affair, a CGI expo or just plain boring. Additionally, I felt the film was well cast top to bottom. McAvoy and Fassbender make the characters their own but they don't conflict with the characters as we already know them. They also gave some depth to the Professor X/Magneto relationship without getting bogged down and slowing the overall pace of the movie.

Some reviews have taken issue with Kevin Bacon's “over-acting”, but let's keep perspective here – Kevin Bacon has a game named after him and is partly famous just for being himself. Considering that he in no way distracted from the film, you'll get no complaints from me.

After the disappointment of X3, the X-Men franchise had a lot to lose with X-Men: First Class. Thankfully Vaughn and his talented cast delivered a well-made and entertaining installment to the franchise which has me on board for future installments. Have no fear - X-Men: First Class lives up to its name. 8/10

Black Swan is a Top-Notch Psychological Thriller

Darren Aronofsky doesn't do normal. In the span of his career as a director, he has distinguished himself as a creator of controlled chaos. With Black Swan, he one again demonstrates that he has mastered his craft.

Often times with films, the credit for success tends to be thrown in one direction or the other; the director was a visionary or the actors were at the top of their game or the cinematography was revolutionary. Taking time to step back and reflect on Black Swan, it strikes me that this film was the sum of its parts – Aronofsky knew what he wanted and lucky for him he had the cast and crew that could deliver his vision to its full potential!

The film explores the world of the ballet, but more to the heart, it explores ambition and obsession, forces for both creation and destruction. The main character Nina Sayers (Natalie Portman) is a ballet dancer who, despite being a dedicated and talented ballerina with her company, has never taken that next step to true stardom. She wants to ascend to the top, that place of prominence, but can she step beyond the technical and truly become her craft? It is the challenge her director (Vincent Cassel) issues to her, but the pressures of the profession take their heavy toll on Nina. Cast as the “swan queen” for the a re-envisioned Swan Lake, Nina is forced to push herself beyond her limits to realize her full potential at the risk of losing herself.

Aronofsky's skill is on full display as he presents the audience with a reality that we aren't quite sure of from the very first scene. As a psychological thriller, Black Swan works through subtlety. We are constantly fed little hints of paranoia and dreamlike segments of incongruity so that, like Nina, we are never sure what is entirely real. Those elements of herself that Nina is required to use to allow her to give the performance she wants and that her director demands are creative forces that eat away at her psyche. Nina is told from the beginning that she is the white swan but that she needs to channel the black swan within herself. In this way, the story of Swan Lake mirrors Nina's own journey – both the themes of transformation and ultimate self destruction.

Very often psychological thrillers spend at least some time trying to examine those elements which seem out of place as a way to help make sense of what is happening. With Black Swan, Aronofsky doesn't give the audience the luxury of those moments to help us stop and catch our breath. He used this to excellent effect! The film is relatively short with a run time of only 108 minutes. The pace of the story is brisk and somewhat frantic, mirroring the hectic pace with which Nina must prepare for the role she has always wanted. This heightens the effects of the paranoia she experiences – there is no time to stop and try to make sense of anything. As a result there is seemingly no line between what is real and what is not giving the film an added punch and genuinely frightened (Nina) feel. It is like watching self-destruction at break neck speed!

This film also benefits from the excellent performances from Portman, Mila Kunis and Vincent Cassel as Nina's director. Even Winona Ryder gave a good supporting performance as the jilted and discarded lead ballerina. For her performance as the tormented Nina, Portman won the Academy Award for Best Actress.

Black Swan is yet another excellent film from Aronofsky (Pi, Requiem for a Dream, The Fountain, The Wrestler) and a must see for any fan of the psychological thriller genre. It doesn't disappoint. 10/10

Your Highness is a Satisfying, Silly Romp

Some movies are low brow. When you see the trailers for these movies online or during a trip to the theater you laugh and probably groan a little, and sometimes you still want to see them anyway because all it will be is dumb, mindless humor or mindless, eye popping action. Your Highness is one of these movies. I wanted to see it because I thought it looked like a fun time at the movies. Good news – I was right!

I don't have to tell you that some movies are great because they aren't heavy or serious. Hell, I'll never stop loving Baseketball (a high school favorite) and it is gutter humor and cheap gags all the way! I can confidently say the same for Your Highness. It is exactly what you would expect from the trailer – an age-old premise populated by cheap gags and dick jokes that didn't try to be anything more. The end result was a great time at the movies! If only more movies could understand this principle – just be what you are, because sometimes that all we want and nothing more.

Your Highness is a movie that you can tell everyone involved was just having a good time. James Franco (Prince Fabious) and Danny McBride (Prince Thadeous) team up once again with Pineapple Express director David Gordon Green for a very silly affair that involves an evil warlock, a mysterious warrior-woman (Natalie Portman) and an epic quest to rescue a maiden in distress (Zooey Deschanel). Oh, and a ton of sex jokes! For Franco and Portman, who were an Oscar nominee and Oscar winner respectively in 2011, they don't have anything to prove, so this was probably a nice “fluff” picture to work on following their efforts in 127 Hours and Black Swan.

Even so this movie is not high art, that is not to say it wasn't handled well. It was. The story was well done and even the CG wasn't bad. When the end credits rolled, I didn't feel like I wanted my money back. I paid for a fun time at the movies and it delivered. It certainly isn't for everyone, but if you like the swords and spells genre and are in the mood for a silly, albeit juvenile romp, you need only call for Your Highness. 7/10

Latest Green Lantern Footage

Obviously with every new comic book movie there is a ton of skepticism and it very much deserved given a lot of the absolute garbage that has come out. I really enjoy the Green Lantern and even after watching this latest footage, I am still very wary. Still, there is a bit of promise to it. Anyway, I thought I would share it.

PS - I'm still not sold on the CG costume, and more specifically the mask. It just doesn't look completely passable as "real".

Extras Is Solid Gold Comedy

I realize that I am late to the scene (once again), but I recently took in the entire run of Ricky Gervais' critically-acclaimed comedy series Extras. By now I'm sure that anyone who comes upon this blog knows that Gervais is the creative mind behind the immensely successful series The Office and have probably heard about, if not seen, his “controversial” hosting of the 2011 Golden Globes. Controversial or not, it was hilarious and so is Extras!

To put is succinctly, Extras is both a pleasure to watch and, quite frequently, very difficult to watch. I say difficult because some of the situations that the characters find themselves in are so uncomfortable and awkward it is almost unbearable... and therein lies the delightfully twisted beauty of it. What co-creators Ricky Gervais and Stephen Merchant have come up with in nothing short of comedy gold!

Extras follows the professional lives of three primary characters: struggling film/TV extras Andy Millman (Gervais) and Maggie Jacobs (Ashley Jensen) and Millman's utterly incompetent agent Darren Lamb (Merchant). Millman is the every man – easily overlooked, but with huge ambitions for himself. As he and best friend Maggie bounce from job to job Andy continually tries to rub shoulders with the celebrities that they happen to cross paths with (the series' guest stars) but he finds himself not getting anywhere.

His failure to advance professionally is due in large part to his worthless agent Darren, who in addition to not really trying to help Andy, doesn't actually think very much of him as an actor, which in a twisted way serves as a reality check for Andy.

However, despite all of the problems Andy faces, he writes a pilot for an semi-autobiographical sitcom which manages to get picked up by the BBC. Suddenly Andy's life changes but he quickly learns the high price (and dark side) of success. He quickly discovers he is going places that he doesn't want to be and yet they seem to be the only way he can taste the fame and fortune he so desperately wants for himself. He becomes famous but despises the keys to his own success. In essence, Andy has to sell out and he hates every bloody minute of it. His reality, it seems, is not compatible with his dreams. It may not sound funny, but believe me, it is.

As I've said, the journey we are taken on in Extras is simultaneously hilarious and painful; it contains some of the funniest and most awkward scenes I have ever seen! Equally entertaining is the high profile list of celebrity guest stars that join the fray, a list that includes Sir Ian McKellen, Patrick Stewart, Kate Winslet, Ben Stiller, Daniel Radcliffe, Clive Owen, Orlando Bloom and David Bowie to name a few. (just do a YouTube search for Extras + any of the aforementioned celebs for a taste if you haven't seen the show)

Unlike the original British version of The Office (Gervais and Merchant's earlier collaboration), Extras is not done in the “mockumentary” style, but it definitely pokes fun at the world of show business. It's often dry and deadpan, but it scores with every episode! Gervais and Merchant put their comedy genius on full display and keep you laughing and cringing the whole way through. If you haven't already checked it out, definitely add it your queue!